Tuesday, September 28, 2010

Current Exhibition at "Simply IrRESISTible" at somethings looming Fiber Arts Gallery, Reading, PA

40 works by 24 artists showcasing old and new resist techniques.
The Rose Window

On this length of dupion silk I used a similar set of folds and bindings for each stage of dyeing. I wanted the patterning from each layer to move in generally the same direction. After the third dye bath, I hung up the piece so that I could stand back and have a good long look at it. As I had hoped, the lines appeared to radiate from a central point somewhere off to the left of the piece, suggesting a larger rosette, only part of which was visible. Then it struck me: the memory of sitting inside the chapel at Mount Holyoke College, where soft afternoon light was filtering through the magnificent rose window.

String Theory

This piece is the result of a science experiment of sorts. I had a theory that string could act, not only as a resist, but as a mark-making tool,… that is, if I were to load the string with dye prior to using it to bind the fabric around the pole — in this case, a length of flexible vinyl duct, one of my favorite improvised tools because it leaves wavy lines suggesting ripples on water.

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